Etiquette, the fourth album by Casiotone for the Painfully Alone, was originally released on March 9, 2006 on the German electronic label, Tomlab. Although it did not receive much acclaim at the time (Pitchfork saw fit to include Etiquette on their “Overlooked Records 2006” list), the Etiquette cult has grown over the years, & the now-classic album remains the most popular & influential work in Chicago, IL singer/songwriter Owen Ashworth’s twenty-year music career. Etiquette has inspired a new generation of D.I.Y./bedroom pop auteurs with its playfully homemade & genre-defying electronic arrangements, memorably literary lyrics, & frank, vulnerable vocal style. Etiquette’s songs have been featured on the television show The O.C. & Academy Award winner Barry Jenkins’ debut feature film, Medicine for Melancholy. The original, out-of-print German pressing of Etiquette has become a much sought-after collectible. Now, twelve years removed & three albums into his new project, Advance Base, Owen Ashworth has decided to release a newly remastered vinyl & digital edition of Etiquette on his own imprint, Orindal Records.
The first three Casiotone for the Painfully Alone albums (Answering Machine Music, Pocket Symphonies for Lonesome Subway Cars & Twinkle Echo) were performed almost exclusively on Casio mini-keyboards & recorded at home on 4-track cassette. For Etiquette, Ashworth teamed up with producers Jherek Bischoff & Jason Quever to expand his bedroom recording project into a small orchestra of pianos, organs, strings, flutes, pedal steel guitars, live drums, drum machines, & synthesizers.
Despite making stylistic leaps between dark Euro synthpop (“Young Shields”), classic rock (“Bobby Malone Moves Home”), country-styled torch songs (“Nashville Parthenon”), organ-driven garage pop (“Holly Hobby”), and stark piano jazz balladry (“Don't They Have Payphones Wherever You Were Last Night”), Etiquette is a surprisingly cohesive album, with each track presenting delightful & engaging musical turns that play against Ashworth’s melancholic lyrical themes.
Fearing that the fictional nature of his lyrics were being mistaken for autobiography, Ashworth called upon some of his favorite vocalists to sing four of Etiquette’s songs, casting them each as different characters: Katy Davidson (of Dear Nora) takes the lead vocal on “Holly Hobby,” Sam Mickens (of The Dead Science) appears on “Happy Mother’s Day,” and Jenn Herbinson (Ashworth’s long-time friend & favorite karaoke duet partner) is the voice of “Scattered Pearls” & “Love Connection” (a Parenthetical Girls cover). Other guest musicians include album producers Jherek Bischoff (bass & strings) & Jason Quever (drums).
The new edition of Etiquette was lovingly remastered by Matthew Barnhart, & includes two bonus tracks, which were written & recorded by Ashworth shortly after Etiquette was sent off to the pressing plant, narrowly missing the deadline for inclusion in the album’s original tracklisting: “White Corolla (Version)” (featuring Ashworth’s original vocal, a surprising contrast to the better-known version that was released as a single & featured vocals by Jenn Herbinson) & “White on White.”
supported by 24 fans who also own “Etiquette (2018 Remaster)”
TRUE LOVE DEATH DREAM is the song that gets the second roar in the arena just after the lights go down and crowd has just roared hearing the backing track and Advance Base’s instruments are backlit and then Owen walks *through the crowd* singing it, surrounded by a tasteful, not too pushy phalanx of bodyguards and other handlers. EVEN in THIS VERSION, without the drums, I stand by this vision of the song. Great track! sobianco
supported by 19 fans who also own “Etiquette (2018 Remaster)”
Bought my 1st Mt Goats cassette in 1993?94? from Shrimper -- direct. Best song? "Going To Chino." Been deeply in love w/ Mr. Darnielle since. And this new one's going on my Best of 2020 List. You done the pagans proud, kind sir. Otis Nugatory